| 000 | nam a22 7a 4500 | ||
|---|---|---|---|
| 999 |
_c36140 _d36140 |
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| 005 | 20180507160028.0 | ||
| 008 | 180507b ||||| |||| 00| 0 eng d | ||
| 020 | _a978-81-246-0377-2 | ||
| 040 | _cD. K. Printworld | ||
| 082 |
_a111.850954 B2493 M _b300732 |
||
| 100 | _aBarlingay, S. S. | ||
| 245 | _aA modern introduction to Indian aesthetic theory : the development from Bharata to Jagannātha | ||
| 250 | _a2nd | ||
| 260 |
_aNew Delhi _bD. K. Pritnworld (P) Ltd. _c2016 |
||
| 300 | _bxxvi,374 Pp | ||
| 521 | _aAll arts in India owe their roots to the theoretical structure developed by Bharatamuni in his celebrated work, Natyasastra. His theory of beauty is known as the theory of rasa. The present volume has shown how the insight of Bharata was developed by the classical scholars from Abhinavagupta to Jagannatha, who propounded the theories with names like rasa, alamkara, riti, vakrokti, dhvani etc. to employ the theory of beauty from natya (drama) to kavya (poetry). | ||
| 942 |
_2ddc _cBK |
||