000			nam a22 7a 4500
999			_c36146 _d36146
005			20180507162837.0
008			180507b ||||| |||| 00| 0 eng d
020			_a81-88827-19-3
040			_cB. R. Rhythms
082			_a780.9034 R2193 H _b300738
100			_aVijay Bazaz Razdan
245			_aHindustani ragas : the concept of time and season
260			_aDelhi _bB. R. Rhythms _c2009
300			_bxvi,79 Pp _ePlates of Ragas
521			_aThe book throws light on the most distinguishing features of Hindustani Music System dealing with Time Theory Concept or practice of assigning stated time of the day or night or any season prescribed for singing/playing a particular Raga. This concept according to ethnomusicological aspect is only found in Hindustani music among the World music cultures. This practice has existed in India from time immemorial. Our Sanskrit scholars have uniformly stuck to this practice. Our music passed through numerous Transformations during the last several centuries, but time Theory Practice has been scrupulously maintained. Our current music has outgrown the old Shastras, but still we find clear tendency to stick to Time Theory. This seems to be a most Indigenous and mysterious concept. Although good amount of papers and chapters have been written on the aspect of time-theory, but this book deals in detail with the psychological and Philosophical concept of Hindustani Ragas from the very beginning.
942			_2ddc _cBK