Exuberance of Indian music : sarod and sarodists of Maihar gharana
Material type:
- 978-81-8290-390-6
- 787.82 D3607 E 301432
Item type | Current library | Collection | Call number | Status | Barcode | |
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Sruthy General Stacks | Non-fiction | 787.82 D3607 E 301432 (Browse shelf(Opens below)) | Available | 301432 |
There are many signs of an awakened interest in the Seniya Maihar Tradition of Sarod Playing. More of it is now learnt, played and recorded than ever before. This interest is not confined to India alone but beyond the seas in United States and in many European countries. During the past few years Americans and Europeans in large numbers, have become notable Sarod players, groomed in the Ali Akbar Khan Colleges of Music at San Rafel (USA) and Switzerland. The sporadic literature which deals with the evolution of the Maihar Gharana and its tradition of Sarod playing , Sarod as an ancient Indian musical instrument, the style and technique and new Ragas created by Bab Allauddin Khan and legendary Sarod play of Ustad Ali Akbar Khan need a compact and fairly comprehensive volume of this kind for a wider world of music.
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