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Inside the Kremlin (Record no. 80822)

MARC details
000 -LEADER
fixed length control field 02483nam a22001457a 4500
005 - DATE AND TIME OF LATEST TRANSACTION
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008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
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040 ## - CATALOGING SOURCE
Transcribing agency Saira Music Ltd
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 787.82 Sh187 I
Item number 301866
245 ## - TITLE STATEMENT
Title Inside the Kremlin
Statement of responsibility, etc. Ravi Shankar
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Moscow
Name of publisher, distributor, etc. 23rd Street Publishing Inc
Date of publication, distribution, etc. 1989
300 ## - PHYSICAL DESCRIPTION
Extent 01:08:59
520 ## - SUMMARY, ETC.
Summary, etc. Ravi Shankar, the figurehead of world music, was invited in 1988 to work with Russian musicians on a concert to mark the end of an Indian Festival in the Soviet Union. This recording was made on July seventh of that year, with over 140 musicians present: Shankar's Indian Ensemble, the Russian Folk Ensemble, the Government Chorus of Ministry of Culture of USSR, and the chamber orchestra of the Moscow Philharmonic. Shankar composed all seven of the pieces here as a melding of the musics of India and Russia. "Prarambh," the opening piece, is an ethereal sort of sound created by the amalgamation of Indian and Russian instruments both playing ragas. "Shanti-Mantra" is based on Raga Devagiri Bilawal, as well as the Shanta Ras, from the Bharatanatyasastra (oldest work of Indian music theory), and is performed by both the Indian vocalists, as well as the Government Choir. Three ragas are based on Raga Hemavati, Raga Kirwani, and Raga Basant Mukhari, and are performed solely by the Moscow Philharmonic musicians. "Tarana" makes use of a Punjab form of singing that utilizes nonsense syllables to great effects of rhythmic wonder. "Sandhya Raga," based on Raga Yaman Kalyan, is "basic" Indian classical music, without any Russian additions, and "Bahu-Rang" is the finale of the concert. It is based on Raga Mishra Pilu and has five movements, the first being instrumental, the second being call and response with the drums, the third being improvised thumri singing, and the fourth element being a folk portion that leads to the climax, a song "Unity of Friendship and Love" by Shankar. While the synthesis of Indian and Russian musics could leave a listener wary before hearing the album, Shankar remained almost solely with Indian music, though the performers may have been Russian. The album is definitely worthwhile, as the backing Russian chorus can add something to the music, though leaving Indian classical solely in the hands of foreigners can be a dangerous matter, as is proven on three ragas. Throughout, though, it's quite a nice album, worthy of the Shankar name being placed upon it.
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme Dewey Decimal Classification
Koha item type CD-ROMs
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Collection code Home library Current library Shelving location Date acquired Source of acquisition Total Checkouts Full call number Barcode Date last seen Price effective from Koha item type
    Dewey Decimal Classification     Non-fiction Sruthy Sruthy Audio Visual 03/03/2020 Gifted by Dr. Sukeshi Sheth   787.82 Sh187 I 301866 301866 03/03/2020 03/03/2020 CD-ROMs
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