A Brahman of Vidarbha (the part of central India later called Berar), Bhavabhuti passed his literary life chiefly at the court of Yashovarman of Kannauj (Kanauj). Bhavabhuti is best known as the author of three plays: Mahaviracharita (“Exploits of the Great Hero”), which gives in seven acts the main incidents in the Ramayana up to the defeat of Ravana and the coronation of Rama; Malatimadhava (“Malati and Madhava”), a complex original love intrigue (complete with sorcery, human sacrifice, and Tantric practice) in 10 acts abounding in stirring, though sometimes improbable, incidents; and Uttararamacharita (“The Later Deeds of Rama”), which continues the story of Rama from his coronation to the banishment of Sita and their final reunion. This last play bears some resemblance to Shakespeare’s The Winter’s Tale. Though it contains far less action than the two earlier plays, it shows Bhavabhuti at the height of his power in characterization and in presenting suspense and climax. Bhavabhuti is considered to be a master of the kavya form, a literary style that is dominated by elaborate figures of speech, particularly metaphors and similes.