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Habir Tanvir and other plays: New Indian playwrite English

By: Material type: TextTextPublication details: Calcutta Seagull 2019Description: 397ISBN:
  • 9780857424952
Subject(s): DDC classification:
  • 822 C3618 H 108272
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Item type Current library Call number Status Barcode
Books Books Ubhayabharati General Stacks 822 C3618 H 108272 (Browse shelf(Opens below)) Available 108272
Browsing Ubhayabharati shelves, Shelving location: General Stacks Close shelf browser (Hides shelf browser)
820.9109 J849 I 102466 Indian Writing in English : 820.9954 R1402 G 102392 Glimpses of Comparative Literature 821.7 W6701 102393 Selected Poems 822 C3618 H 108272 Habir Tanvir and other plays: 822 Sh91 C 102386 Contemporary Indian Dramatists 822.3/3 C3804 T 102493 Tales from Shakespeare : 822.8 Os19 I 102564 The Importance of Being Earnest

A towering figure in twentieth-century theater in India, Habib Tanvir was an actor, director and playwright, working in Hindi and Urdu. He founded the Naya Theater in 1959, through which he created remarkable works drawing on the history and traditions of the tribal folk of Chhattisgarh. This book brings together four plays, all translated into English for the first time. Agra Bazar (1954), set in the early nineteenth century amid the bustle of a colorful street market in the iconic North Indian city, is woven together by the wonderfully human voice of the poet Nazir and examines some of important cultural and socioeconomic issues of the period, such as the declining influence of the Urdu language and the growing power of English in colonial India. Charandas Chor (1975), Tanvir’s most famous work, is the story of a typical folk hero who robs the rich much in the style of Robin Hood and evades the law until he comes up against one wall he cannot scale his own commitment to the truth. ​In Bahadur Kalarin (1978), Tanvir reinvents an nearly forgotten Chattisgarh folk tale about a mother–son relationship in which he finds echoes of Oedipus, while in the Living Tale of Hirma (1985) he dramatizes a historical event in which a headstrong ruler of an Indian tribe clashes with a population who want to replace the tribal way of life with newfound ideals of democracy, leading to disastrous results. Enriched by introductory texts and an intensive interview with Tanvir that covers the milestones of his illustrious career, the book will be the perfect introduction to Tanvir’s work for English-language theater fans and scholars.

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